![]() Some backup cameras include onscreen guidelines to help you gauge the distance between your car and obstacles. Prioritize cameras with high waterproof and dustproof ratings to ensure longevity. DurabilityĪ backup camera must withstand a range of harsh conditions, including rain, snow, and extreme temperatures. Some cameras may require professional installation, especially if you're uncomfortable dealing with your car's electrical system. InstallationĬonsider the complexity of the installation process. So take all of this into consideration when making your purchase. ![]() Fully wired models typically use a standard 12-volt cigarette lighter port, which sometimes powers both the camera and the display through a single connection.Įase of installation can vary between each of these systems, and both wired and wireless models have limitations in terms of how far the camera can be from the display. Most often, this is done by hard-wiring the camera to the reverse lights so the camera turns on only when your vehicle is shifted into reverse. Permanently installed cameras need a power source, and even cameras that don't connect directly to the display still need power. With few exceptions, almost no backup cameras are entirely wireless. There's a lot of confusion when it comes to "wireless" backup cameras. Look for a camera with a good low-light rating to ensure visibility even in the dark. Whether it's an overcast day, dusk, dawn, or the middle of the night, you need a backup camera that performs reliably in all lighting conditions. The wider the field of view, the more you can see-but a balance must be struck to avoid fisheye distortion. Look for models that deliver high resolution, crisp imagery, and excellent contrast. The fundamental task of a backup camera is to provide a clear, real-time view of what's behind your vehicle. The major drawback compared to the GH6 is the lack of a fan and a dedicated cooling design - so it may shut off during long recordings at high frame rates in hot conditions.What to Consider When Buying a Backup Camera Image Quality It also supports external ProRes recording via HDMI. ![]() You can capture video not just to the dual UHS-II SD cards (relay, backup and allocation recording), but also to an SSD via the USB-C Gen 3.2 port. Other handy video features include a red rec frame indicator, a frame marker and AWB (auto white balance) lock. Panasonic also has a few new creative looks including Leica Monochrome "for deep black-white contrasts." You can shoot V-Log/V-Gamut video with 13+ stops of dynamic range, while applying your own LUTs in real time to see how graded footage will look. Plus, it supports regular MP4 formats (including I-frame) and Apple ProRes - not bad for a camera aimed at photographers. It also offers 4:3 open gate (5.8K) and 4:3 anamorphic shooting (4.4K). It can shoot 4:2:0 10-bit 17:9 5.7K video at up to 60 fps, or 10-bit 4K at up to 120p. Panasonic downplayed it a bit, but the G9 II is now the company's most powerful Micro Four Thirds mirrorless model for video, thanks largely to the PDAF. Other features include microphone/headphone ports and a full-sized HDMI port. The 1,840K dot LCD display fully articulates for vloggers and self-shooters, of course, and it comes with a decent 3,680K dot OLED. The G9 II has a weather-resistant design, a new 8-direction joystick and supports an all-new optional $350 camera grip (also compatible with the S5 II/S5 IIx). As with other recent models, the G9 II also offers Active IS for shooting on the move, and Enhance IS to correct larger shake when running or walking. It uses the camera's IBIS mechanism to keep the camera steady, meaning no tripod is required.Īs for the IBIS, it's also borrowed from the GH6 and delivers 8 stops of compensation, or 7.5 stops in 5-axis Dual IS 2 mode (used for longer telephoto lenses). The G9 II also has Panasonic's handheld high-res mode that combines multiple images to create a 100MP JPEG photo with extra detail. ![]() It's essentially an HDR photo mode that combines low and high ISO images to produce a composite with both low noise and high saturation. Panasonic also borrowed the "Dynamic Range Boost" function from the GH6.
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